Solo ShowSpecial project commissioned by Il Crepaccio and curated by Caroline Corbetta. IL CREPACCIO INSTAGRAM SHOW – 1 artist/5 days/a work a day – is open! Every week, from Monday to Friday, on Il Crepaccio’s Instagram account there is an unprecedented solo show composed of five new contributions commissioned to an artist by @ilcrepaccio. As of Monday 13 November 2017, il Crepaccio has [...]
PrizeMenabrea Art Prize was founded in 2011 by Untitled Association and Birra Menabrea. There are two men on a train. One says to the other: “What is that parcel you put on the luggage rack?” The other: “Oh that, it’s a MacGuffin.” Then the first one: “What’s a MacGuffin?”. The other: “It’s a device to catch the lions on the Adirondack Mountains.” The first one: “But there are [...]
EventTrigger Parties are gatherings of artists and other personalities invited to participate with an original intervention conceived as a trigger regarding the themes which characterize their practice. A series of monthly happenings aiming to initiate a public and cross-disciplinary discussion where the audience is invited to participate and directly exchange views with the guests. Trigger Party IV [...]
Cross-disciplinary PlatformThe Laboratory of Doubt / Seven Months of Cross-disciplinary Experiments is driven by an idiosyncratic and dialoguing “band apart”: a scientist, an architect, two artists, and one writer. In the Laboratory of Doubt, everything should be different from what it could be, and everything will have to be challenged – everything except the ability to raise new questions. In the evening, before [...]
FestivalTeatrum Botanucum non vuole essere una mostra convenzionale, ma un vero e proprio festival costituito da molteplici interventi: pratiche performative, proiezioni, talk e performance-lectures, dj set e live set. Al contrario, è il concept stesso di Teatrum Botanicum che va plasmandosi a posteriori, agendo da aggregatore tra i vari interventi ricevuti, creando diversi percorsi attraverso lo [...]
Collective Show and BookSusy Culinski & friends was born from an idea of Beatrice Marchi who, almost a year ago, started to involve different female artists, asking them to reflect on the idea of eroticism and act like sex illustrators, creating one or more drawings freely inspired by this theme, only specification to be met was the format, strictly A4. Over the months the project developed, following a logic of [...]
ongoing Group Show and Prize
con Francesco Alberico, Thomas Braida, Letizia Calori e Violette Maillard, Pierpaolo Campanini, Edoardo Ciaralli, Giovanni Copelli, Lucia Cristiani, Lisa Dalfino e Sacha Kanah, Giovanni De Francesco, Sara Enrico, Maurizio Finotto, Enej Gala, Niccolò Morgan Gandolfi, Corinna Gosmaro, Lorenzo Kamerlengo, Giuseppe Lana, Francesca Longhini, Maurizio Mercuri, Valerio Nicolai, Mattia Pajè, Marta Pierobon, Giulia Poppi, Luca Pozzi, Davide Rivalta, Marco Samorè, Ivana Spinelli, Marcello Tedesco, Natália Trejbalová, Devis Venturelli, Serena Vestrucci
production Michal Štochl
with Kiichiro Adachi, Ting-Tong Chang, Oreen Cohen, Sara Enrico, Michelle Claire Gevint, Tetsugo Hyakutake, Jia-Jen Lin, Jen Liu, Marykate Maher, Manuel Molina Martagon, Peter AC Nelson, Dikko Faust & Esther K Smith - Purgatory Pie Press, Anne Sofie Sandal, Ben Sloat, Anssi Taulu, Zorka Wollny
Two-person-showThe two artists are a couple in life, but this is the first time their artistic paths have crossed. Mai un vestito dunque, adeguato is a succinct and apparently categorical phrase that the artists [...]
ongoing Group Show and Collection
in collaborazione con l’Università di Verona e AGI Verona
Italian Fellowship at the American Academy in Rome, 2021
Premio Michetti, ex-equo with Pier Paolo Campanini, 2020
Sara Enrico (1979, IT) lives in Torino.
She has exhibited her works in Italy and abroad, including: Národní galerie Praha, Prague (2019); Mart, Museo d’arte moderna e contemporanea di Trento e Rovereto (2019); Brooklyn Army Terminal, New York; Centrale Fies Art Work Space, Dro; Marsèlleria, New York; PAV Parco Arte Vivente, Torino; Fondazione Sandretto Re Rebaudengo, Torino; Les Instants Chavirès, Montreuil (Paris); e Fondazione Antonio Ratti, Como. She participated in OFF Biennale Cairo, Cairo, 2018 and in Biennale Internazionale Arte in Memoria, Sinagoga, Parco Archeologico di Ostia Antica (Roma), 2017.
Among the solo shows: The Jumpsuit Theme, Národní galerie Praha, Praga and Mart, Rovereto (2019); Mai un vestito dunque, adeguato, Quartz Studio, Torino (2019); Inches, Feet, Verse, Metre, Marsèlleria, New York (2018); à terre, en l’air, TILE project space, Milano (2017); Mirroring, Fonderia Artistica Battaglia, Milano (2016); Greater Torino, Fondazione Sandretto Re Rebaudengo, Torino (2014); Vitrine 270°, Galleria d’arte Moderna e Contemporanea di Torino (2013).
Recipients of Italian Fellowship at the American Academy in Rome (2021) and of Premio Michetti (2020).
In 2018 she received a production grant from the IV edition of Italian Council (2018), a competition ideated by Directorate-General for Contemporary Art and Architecture and Urban Peripheries (DGAAP) – the organ of Ministry of Cultural Heritage and Activities.
In 2017 recipient of New York Prize, with the support of the Italian Ministry of Foreign Affairs and International Cooperation (MAECI), the Italian Ministry of Cultural Heritage and Activities and Tourism (MIBACT), the Italian Cultural Institute in New York and the Italian Academy for Advanced Studies Columbia University, and in residence at International Studio & Curatorial Program in New York. In the same year, she won the Menabrea Art Prize.
Co-founder of Laboratorio del Dubbio, a series of residencies and a cross-disciplinary platform developed into seven chapters (Turin, 2016). She took part in Progetto Diogene, between 2008 and 2012, as an artistic self-identity group of people working together. Based in an old tram carriage in the middle of a roundabout of the public space of Turin, the project running as an international residency program, talks and events.
She studied at the Academy of Fine Art in Turin and at the Istituto Spinelli in Florence, where she attended training in the restoration of ancient paintings and frescoes. She had been working as an art conservator and restorer of frescoes, as a professor of History of Art and, since 2019, of Painting at the Academy of Fine Art in Bergamo.